DeWolf Hopper Totally Explained

Everything about Dewolf Hopper totally explained

De Wolf Hopper (March 30, 1858 – September 23, 1935) was an American actor, singer, comedian, and theatrical producer. A star of the musical stage, he was best-known for performing the popular baseball poem Casey at the Bat.

Biography

He was born William De Wolf Hopper in New York, New York, the son of John Hopper (born 1815) and Rosalie De Wolf (born 1827). His father was a wealthy Quaker lawyer and his mother came from a noted Colonial family. Though his parents insisted he become a lawyer, Hopper didn't enjoy that profession.
   He made his stage debut in New Haven, Connecticut, October 2, 1878. Originally, he wanted to be a serious actor, but at 6' 3" (1.90 m) and 230 pounds, he was too large for most dramatic roles. He had a loud bass singing voice, however, and made his mark in musicals, beginning in Harrigan and Hart's company. He achieved the status of leading man in The Black Hussar (1885) and appeared in the hit Erminie in 1887.
   Eventually, he starred in more than thirty Broadway musicals, including Castles in the Air (1890), Wang (1891), and John Phillip Sousa's El Capitan (1896), which met with great success in London. The role that he remembered with greatest pleasure was Old Bill in The Better Ole (1919).
   Known for his comic talents, Hopper popularized many comic songs and appeared in a number of Gilbert and Sullivan comic "patter" roles from 1921 to 1925, including The Mikado, Patience, and H.M.S. Pinafore.
   A lifelong baseball enthusiast and New York Giants fan, he first performed Ernest Thayer's then-unknown poem Casey at the Bat to the Giants and Chicago Cubs the day his friend, Baseball Hall of Fame pitcher Tim Keefe had his record 19 game winning streak stopped, August 14, 1888. Hopper helped make the comic poem famous and was often called upon to give his colorful, melodramatic recitation, which he did about 10,000 times in his booming voice, reciting it during performances and as part of curtain calls, and on radio. He released a recorded version in 1906.
   It was in The Black Hussar that Hopper first incorporated a baseball theme that drew notice in the sporting press. To accompany a song with a baseball stanza, "Mr. Hopper enacts [sic] the pitcher, Mr. [Digby] Bell, with a bird cage on his head and boxing gloves on his hands, plays catcher, while Mme. [Mathilde] Cottrelly handles a diminutive bat as striker and endeavors to make a 'home run.'"
   In 1889, Hopper became founding president of the Actors' Amateur Athletic Association of America. Back in 1886, besides organizing a regular ball team among actors, he played in a benefit game for a demented playwright. The following year, he helped organize an actor’s benefit for a sick young actress. In the first inning, someone presented him with an eight-inch sunflower.
   Also as of 1889, Bell, Hopper and fellow McCaull Opera Company actor Jefferson De Angelis were doing the following skit for their third encore in Boccaccio. Bell returns "with a bat in his hand, followed by De Wolf Hopper and De Angelis. The latter has a ball, and as Hopper takes the bat in hand and Bell acts as catcher the former goes through the customary contortion act in pitching, and as Hopper hits the ball he runs off the stage, as if running the bases, and presently returns chased by De Angelis, who passes the ball to Bell as catcher just as Hopper makes a big slide for home base [sic]. The slider tumbles Bell, and when he rises from the somersault all three yell out to the audience for judgment [aruling], and go off kicking like Anson and [NewYork captain Buck] Ewing. It is a rich gag and takes immediately," the Brooklyn Eagle said.
   That year, Bell called Hopper "the biggest baseball crank that ever lived. Physically, of course, he's a corker, but when I say big I mean big morally and intellectually. Why, he goes up to the baseball [Polo] grounds at One Hundred and Fifty-fifth [sic] street after the matinees on Saturday, and he travels this six miles simply to see, perhaps, the two final innings, and any one [sic] can imagine the rapidity with which he must scrape off the makeup and get into his street clothes in order to secure even this much. But he says the Garrison finishes are worth it, and he's perfectly right. Hopper always was a baseball crank, long before the public knew anything about it."
   Bald from childhood (he had alopecia), Hopper wore wigs both on and offstage. In later years, a reaction to harsh medicines that he took for throat problems made his skin have a bluish tinge. Regardless, his powerful voice and great sense of humor seemed an attraction to women all his life. With an insatiable appetite for young actresses, he left a long trail of six wives and countless mistresses in his wake -- he became known by the nickname "The Husband of His Country." His wives were: Ella Gardiner (divorced); actress Ida Mosher (divorced); actress Edna Wallace (married 1893-divorced 1898); actress Nella Bergen (married 1898-divorced April 1913); actress Elda Furry (married 1913-divorced 1924) (who later became one of Hollywood's most feared gossip columnists, Hedda Hopper); and singer/actress Lulu Glaser (married 1925-his death 1935).
   He and his second wife, Ida, had one son; and he and his fifth wife, Hedda, had one son, William De Wolf Hopper, Jr. (1915 – 1970), later known as movie and TV actor William Hopper.
   Hopper also appeared in several silent motion pictures, one of them a 1915 version of Don Quixote. Hopper also appeared in a few short sound films, including him reciting Casey at the Bat (1923) in an experimental film in Lee De Forest's Phonofilm process.
   He made a Broadway appearance in White Lilacs (1928). He then did Radio City Music Hall Inaugural (1932), and played Dr. Gustave Ziska in The Monster (1933). At the time of his death, he was in Kansas City, Missouri, making a radio appearance.
   De Wolf Hopper died of a heart attack at age 77 in a hospital in Kansas City. His ashes are interred in Green-Wood Cemetery, Brooklyn, New York.

Trivia

His third wife, Edna, later married Wall Street broker O. Brown.
His fourth wife, Nella, whom he married in London, was born a Reardon. She was divorced from actor James Bergen.
His sixth wife, Lulu, whose real name was Lillian, was previously married to a California dentist, Dr. Glaser.
Hopper's favorite dessert was a dish called "brown betty", but his favorite New York restaurant didn't serve it. In Bennett Cerf's book Try and Stop Me, Cerf claims that the restaurant's manager offered to feature the dish if Hopper could produce a demand for it. On the first night when brown betty was featured on the menu, Hopper introduced himself to the diners at every table in the restaurant, and urged them to try the brown betty. Hopper then seated himself at his reserved table and gave his meal order to the waitress, climaxing in a double order of brown betty. "I'm sorry, sir," she told him. "We're fresh out."

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